Victoria Frances (Skull Girl) Art Poster Print - 24x36

Victoria Frances (Rose Triptych) Art Poster Print - 12x36

Befitting the film's hip goth vibe, its accompanying soundtrack is suitably dark and sexy, with a strong mix of new songs and nü-metal hits. In an interesting move, Korn frontman Jonathan Davis collaborated with composer (and former Oingo Boingo keyboardist) Richard Gibbs on 5 of the CD's 14 tracks, though Davis doesn't sing his songs. Instead, taking those duties are Static-X's Wayne Static on "Not Meant for Me," Disturbed's David Draiman on "Forsaken," Linkin Park's Chester Bennington on "System," Marilyn Manson on "Redeemer," and Orgy's Jay Gordon on "Slept So Long." Most of the Davis-Gibbs collaborations are akin to more atmospheric, dramatic Korn tunes, lent a distinctive personality by each singer, with Manson's being the creepiest-coolest and most aggressive entry. While these adroit alliances make the soundtrack a must-have for each of the band's fans (not to mention the Korn faithful), the previously released cuts are also winners. Deftones' creepy "Change," Papa Roach's angry "Dead Cell," and Disturbed's memorable rage "Down with the Sickness"--in addition to lesser-known, but sinister and titillating offerings from Godhead, Kidney Thieves, Earshot, Tricky, and others--are all worth the price of admission to this "damned" stellar soundtrack. --Katherine Turman

Queen of the Damned, the movie starring Aaliyah features a soundtrack including Marilyn Manson, Papa Roach, Orgy, Static X. The soundtrack also includes a first time solo offering from Chester Bennington of Linkin Park. Warner Bros. Records. 2002.

A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

A boy asks a mechanical swami at a fair to grant his wish to be grown up -- oops! Luckily his best friend recognizes him and helps him get a job at a toy factory where his fresh, uncomplicated innocence wins the president's respect, his colleagues' envy -- and a beautiful woman's love. Academy Award Nominations: Best Actor--Tom Hanks, Best (Original) Screenplay.

No Description Available.Genre: Soundtracks & ScoresMedia Format: Compact DiskRating: Release Date: 25-AUG-2009

Something's wrong in the town of Santa Mira, California. At first, Dr. Miles Bennell (Kevin McCarthy) is unconcerned when the townsfolk accuse their loved ones of acting like emotionless imposters. But soon the evidence is overwhelming--Santa Mira has been invaded by alien "pods" that are capable of replicating humans and taking possession of their identities. It's up to McCarthy to spread the word of warning, battling the alien invasion at the risk of his own life. Considered one of the best science fiction films of the 1950s and '60s, this classic paranoid thriller was widely interpreted as a criticism of the McCarthy era (that's Senator Joseph, not actor Kevin), which was characterized by anticommunist witch-hunts and fear of the dreaded blacklist. Some hailed it as an attack on the oppressive power of government as Big Brother. However viewers interpret it, this original 1956 version of Invaders of the Body Snatchers (based on Jack Finney's serialized novel The Body Snatchers) remains a milestone movie in its genre, directed by Don Siegel with an inventive intensity that continues to pack an entertaining wallop. Look closely and you'll find future director Sam Peckinpah (an uncredited cowriter of this film) making a cameo appearance as a meter reader! --Jeff Shannon

Jack Finney's classic science fiction novel has been the basis of three big-screen adaptations, beginning with the 1956 chiller Invasion of the Body Snatchers and most recently as 1994's underrated Body Snatchers. This acclaimed 1978 version from director Philip Kaufman (The Right Stuff) is every bit as creepy as the '56 original, and it fits perfectly into the cycle of paranoid thrillers that thrived in American movies of the 1970s. Kaufman stylishly directs from an intelligent screenplay by W.D. Richter, while Donald Sutherland and Brooke Adams lead a distinguished cast (including Jeff Goldblum, Leonard Nimoy, and Veronica Cartwright) and must fight for survival as the population of San Francisco is systematically cloned by alien "pods" from a distant, dying planet. The atmosphere of dread and paranoia grows increasingly intense as the complexity of the alien invasion is gradually revealed, until nobody can be trusted to be who they appear. Finely tuned performances enhance the film's eerie atmosphere, highlighted by moments that will lurk in your memory long after the movie's over. MGM's DVD release includes a full-length audio commentary by Kaufman, a "pod culture" retrospective, Body Snatchers trivia, production notes, and the original theatrical trailer. --Jeff Shannon

Our versatile neck and wrist spreader bar comes with two restraints and a neck collar. Made of high quality leather, both cuffs and neck collar are fully locking thanks to the three heavy duty padlocks and keys. They make a perfect fit because of the adjustable belt loops. The restraints also pivot for comfort. These special spreader bars retail for $150 or more. Now you can own it for dramatically less.

22370-77 Features: -Floor lamp -Walt Disney Signature Fantasy Collection -Chrome and glass finish -Foot dimmer -Accommodates (2) 100 watt medium base incandescent bulbs (not included) -Overall dimensions: 55.5'' H x 18'' Dia

There's always a good girl and a bad girl in a movie like Jennifer's Body--but in this case the good girl is crazy and the bad girl is way, way evil. At least somebody thinks good girl Needy (Amanda Seyfried, from Mamma Mia!) is crazy: when the movie begins she's narrating from a psychiatric hospital, and the rest of the film is a flashback that explains her incarceration. It's all connected to longtime friend Jennifer (Megan Fox), a saucy high-school temptress, who mysteriously survives a horrific night out and transforms into a supernaturally powerful force with a taste for human blood. There's certainly some genre kick to this stuff, almost none of which is played straight--how could it be, with Oscar-winning screenwriter Diablo Cody penning the script? Yes, all those crackly, slang-peppered one-liners you loved (or hated) in Cody's Juno are back, with a vengeance. There's actually something more honest about the nastiness of the dialogue in Jennifer's Body, which at least doesn't try to corkscrew back into the heartwarming ambitions of Juno. Among the targets of Cody's satire are Needy's nice-guy beau (Johnny Simmons), a one-armed toupeed teacher (J.K. Simmons), and a satanic rock singer (Adam Brody). The raging hormones and bodily changes of teendom have always lent themselves to metaphorical usefulness in horror movies, but Cody doesn't ring many new changes on the device, beyond the brutal hilarity of her dialogue. That leaves us with showroom-ready Megan Fox, whose buffed sheen is just right for her soulless character. --Robert Horton Stills from Jennifer's Body (Click for larger image)

When a teenage girl is possessed by a demon and begins killing her male classmates, her best friend decides that she must find a way to stop her.

The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful center of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart

No Description Available.Genre: TelevisionRating: NRRelease Date: 30-MAY-2006Media Type: DVD

Jack Finney's classic science fiction novel has been the basis of three big-screen adaptations, beginning with the 1956 chiller Invasion of the Body Snatchers and most recently as 1994's underrated Body Snatchers. This acclaimed 1978 version from director Philip Kaufman (The Right Stuff) is every bit as creepy as the '56 original, and it fits perfectly into the cycle of paranoid thrillers that thrived in American movies of the 1970s. Kaufman stylishly directs from an intelligent screenplay by W.D. Richter, while Donald Sutherland and Brooke Adams lead a distinguished cast (including Jeff Goldblum, Leonard Nimoy, and Veronica Cartwright) and must fight for survival as the population of San Francisco is systematically cloned by alien "pods" from a distant, dying planet. The atmosphere of dread and paranoia grows increasingly intense as the complexity of the alien invasion is gradually revealed, until nobody can be trusted to be who they appear. Finely tuned performances enhance the film's eerie atmosphere, highlighted by moments that will lurk in your memory long after the movie's over. MGM's DVD release includes a full-length audio commentary by Kaufman, a "pod culture" retrospective, Body Snatchers trivia, production notes, and the original theatrical trailer. --Jeff Shannon

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Victoria Frances (Skull Girl) Art Poster Print - 24x36

Victoria Frances (Rose Triptych) Art Poster Print - 12x36

Befitting the film's hip goth vibe, its accompanying soundtrack is suitably dark and sexy, with a strong mix of new songs and nü-metal hits. In an interesting move, Korn frontman Jonathan Davis collaborated with composer (and former Oingo Boingo keyboardist) Richard Gibbs on 5 of the CD's 14 tracks, though Davis doesn't sing his songs. Instead, taking those duties are Static-X's Wayne Static on "Not Meant for Me," Disturbed's David Draiman on "Forsaken," Linkin Park's Chester Bennington on "System," Marilyn Manson on "Redeemer," and Orgy's Jay Gordon on "Slept So Long." Most of the Davis-Gibbs collaborations are akin to more atmospheric, dramatic Korn tunes, lent a distinctive personality by each singer, with Manson's being the creepiest-coolest and most aggressive entry. While these adroit alliances make the soundtrack a must-have for each of the band's fans (not to mention the Korn faithful), the previously released cuts are also winners. Deftones' creepy "Change," Papa Roach's angry "Dead Cell," and Disturbed's memorable rage "Down with the Sickness"--in addition to lesser-known, but sinister and titillating offerings from Godhead, Kidney Thieves, Earshot, Tricky, and others--are all worth the price of admission to this "damned" stellar soundtrack. --Katherine Turman

Queen of the Damned, the movie starring Aaliyah features a soundtrack including Marilyn Manson, Papa Roach, Orgy, Static X. The soundtrack also includes a first time solo offering from Chester Bennington of Linkin Park. Warner Bros. Records. 2002.

A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

A boy asks a mechanical swami at a fair to grant his wish to be grown up -- oops! Luckily his best friend recognizes him and helps him get a job at a toy factory where his fresh, uncomplicated innocence wins the president's respect, his colleagues' envy -- and a beautiful woman's love. Academy Award Nominations: Best Actor--Tom Hanks, Best (Original) Screenplay.

No Description Available.Genre: Soundtracks & ScoresMedia Format: Compact DiskRating: Release Date: 25-AUG-2009

Something's wrong in the town of Santa Mira, California. At first, Dr. Miles Bennell (Kevin McCarthy) is unconcerned when the townsfolk accuse their loved ones of acting like emotionless imposters. But soon the evidence is overwhelming--Santa Mira has been invaded by alien "pods" that are capable of replicating humans and taking possession of their identities. It's up to McCarthy to spread the word of warning, battling the alien invasion at the risk of his own life. Considered one of the best science fiction films of the 1950s and '60s, this classic paranoid thriller was widely interpreted as a criticism of the McCarthy era (that's Senator Joseph, not actor Kevin), which was characterized by anticommunist witch-hunts and fear of the dreaded blacklist. Some hailed it as an attack on the oppressive power of government as Big Brother. However viewers interpret it, this original 1956 version of Invaders of the Body Snatchers (based on Jack Finney's serialized novel The Body Snatchers) remains a milestone movie in its genre, directed by Don Siegel with an inventive intensity that continues to pack an entertaining wallop. Look closely and you'll find future director Sam Peckinpah (an uncredited cowriter of this film) making a cameo appearance as a meter reader! --Jeff Shannon

Jack Finney's classic science fiction novel has been the basis of three big-screen adaptations, beginning with the 1956 chiller Invasion of the Body Snatchers and most recently as 1994's underrated Body Snatchers. This acclaimed 1978 version from director Philip Kaufman (The Right Stuff) is every bit as creepy as the '56 original, and it fits perfectly into the cycle of paranoid thrillers that thrived in American movies of the 1970s. Kaufman stylishly directs from an intelligent screenplay by W.D. Richter, while Donald Sutherland and Brooke Adams lead a distinguished cast (including Jeff Goldblum, Leonard Nimoy, and Veronica Cartwright) and must fight for survival as the population of San Francisco is systematically cloned by alien "pods" from a distant, dying planet. The atmosphere of dread and paranoia grows increasingly intense as the complexity of the alien invasion is gradually revealed, until nobody can be trusted to be who they appear. Finely tuned performances enhance the film's eerie atmosphere, highlighted by moments that will lurk in your memory long after the movie's over. MGM's DVD release includes a full-length audio commentary by Kaufman, a "pod culture" retrospective, Body Snatchers trivia, production notes, and the original theatrical trailer. --Jeff Shannon

There's always a good girl and a bad girl in a movie like Jennifer's Body--but in this case the good girl is crazy and the bad girl is way, way evil. At least somebody thinks good girl Needy (Amanda Seyfried, from Mamma Mia!) is crazy: when the movie begins she's narrating from a psychiatric hospital, and the rest of the film is a flashback that explains her incarceration. It's all connected to longtime friend Jennifer (Megan Fox), a saucy high-school temptress, who mysteriously survives a horrific night out and transforms into a supernaturally powerful force with a taste for human blood. There's certainly some genre kick to this stuff, almost none of which is played straight--how could it be, with Oscar-winning screenwriter Diablo Cody penning the script? Yes, all those crackly, slang-peppered one-liners you loved (or hated) in Cody's Juno are back, with a vengeance. There's actually something more honest about the nastiness of the dialogue in Jennifer's Body, which at least doesn't try to corkscrew back into the heartwarming ambitions of Juno. Among the targets of Cody's satire are Needy's nice-guy beau (Johnny Simmons), a one-armed toupeed teacher (J.K. Simmons), and a satanic rock singer (Adam Brody). The raging hormones and bodily changes of teendom have always lent themselves to metaphorical usefulness in horror movies, but Cody doesn't ring many new changes on the device, beyond the brutal hilarity of her dialogue. That leaves us with showroom-ready Megan Fox, whose buffed sheen is just right for her soulless character. --Robert Horton Stills from Jennifer's Body (Click for larger image)

When a teenage girl is possessed by a demon and begins killing her male classmates, her best friend decides that she must find a way to stop her.